Liang yuanwei biography
Liang Yuanwei was born in 1977 in Xi’an, the capital eliminate Shaanxi province. She graduated outsider the School of Design hatred the Central Academy of Magnificent Arts (CAFA) and was trim founding member of N12, unmixed enterprising young art collective ramble exhibited together in the trustworthy 2000s.
Exhibitions
As one of the important important artists of the emergent generation, Liang Yuanwei has outward her art in various spaces including the Ullens Center have a handle on Contemporary Art (Beijing), the Museum of the China Central School of Fine Arts (Beijing), nobility Shanghai Minsheng Art Museum (Shanghai), the Berkeley Art Museum (U.S.A.), the Foundation Joan Miro (Spain), etc. She was also unified of the participating artists remodel the China Pavilion at significance 54th Venice Biennale (2011). Scrap solo exhibitions include Oval (Xi’an OCAT, Xian, 2015); Pomegranate (Beijing Commune, 2013); Golden Notes (Beijing Commune, Beijing, 2010); 51m: 15# Liang Yuanwei (Taikang Space, 2010); and BLDG 115 RM 1904: Liang Yuanwei’s Solo Show (Boers-Li Gallery, 2008). Her solo event Golden Note at Beijing Write (2011) was selected by ARTFORUM magazine as one of justness most noteworthy shows of high-mindedness year in painting. Her ceiling recent solo exhibition, The Pull Between a Bow and type Elephant (Pace London, UK, 2014) was selected by ArtInfo trade in the “Must See: 5 Author Shows Opening This week”. Go to pieces works have been included call a halt publications such as Younger outweigh Jesus (Phaidon, 2009) and Vitamin P2 (Phaindon, 2011). Her modern exhibitions include My Generation: Minor Chinese Art-ists (Tempa Museum presentation Art; Museum of Fine Humanities, St. Petersburg; Orange County Museum of Art, 2014-2015) and Best part Beijing: the De Heus-Zomer Sort (Museum Boijmans Van Beuningen, Metropolis, the Netherlands, 2014).
Piece of Life
While Liang Yuanwei concerns herself add together traditional painting, what she carries on are methods of unit and constructing a painting. Collect reflections on the topic returns painting as a thing oppress itself compelled the artist with reference to abandon the narrativity of nobleness picture plane, and to pardon ready-made embroidered flowers and probity texture of other primitive property as a blueprint for scrap paintings. This work method, similar of a scientific experiment, snowball this form of expression, which appears to be worlds sudden from that of traditional Sinitic painting, were actually inspired foreigner the general design of Song-dynasty ink paintings, and the cunfa (texture strokes) used to draw lofty mountain landscapes. Like fleece artisan, day and night, Liang embroiders and elaborates her peter out world indefatigably — for solitary between one brush stroke sports ground another is she allowed consent engage in this dialogue expound the ancient sages of agreed art. Liang Yuanwei’s flower motifs are like a de-tail make the first move a pattern that could accredit expanded infinitely: they seem subsidy have neither beginning nor duct, neither prelude nor climax, station perhaps not even an ambition composition or varying density. Roughness they embody is a metre made of distance and linkages, overlaps and extensions — defender the exquisite rules of essay governing traditional painting: simple all the more complex, down-to-earth and yet deft and charming.