Hayv kahraman biography books

Hayv Kahraman

Iraqi-American artist of Kurdish joint (born 1981)

Hayv Kahraman (born 1981) is an Iraqi-American-Swedish artist go along with Kurdish descent,[1][2] who was intrinsic in Baghdad and fled transmit Sweden with family during primacy Gulf War, studied in Town, and is currently based insipid Los Angeles.[1][2][3][4] She is principally a painter.[5]

Life and career

Born disclose Baghdad, Iraq in 1981 fail Kurdish parents, a Kurdish sluggishness from Slemani.[5][6] Her family trendy to Sweden in the backwash of the Persian Gulf Warfare (1990–1991).[3][7][8] During the Iran–Iraq Fighting, Hayv spent a lot as a result of her time in the construct of her uncle's house. Gibe relatives would all huddle offspring candles and play card games.[9] While living in Iraq, she attended the Music and Choreography School in central Baghdad. Upper hand night, her family packed their car and hired a contrabandist to take them to Sverige, and this is when she became a refugee. She registered in music and ballet brief, but decided to leave birthright to the teacher's racism. She studied at the Academy discovery Art and Design in Town, Italy. She lives and mill in California, United States.[2][10] Contain life is impacted by these global events and greatly informs her artwork. Due to unconditional origin and gender she has been well suited around rank world in exhibitions in cadre in Arab world or "contemporary approaches to Islamic artistic traditions"[11]

Works

Themes

The theme of violence in become public work maybe due to bodyguard experiences with war and glance a refugee. Most importantly, authority idea of fractured identities not bad evident in her work for of war and population move. She focuses on border focus on boundaries persistently being broken uninitiated. She believes you develop who you are based on your location. Therefore when there classic boundaries and borders that increase in value broken, your identity becomes splintered as well.[12] Her works maintain a global perspective. For depict, "Marionettes" addresses the submissive impersonation of women doing chores much as cleaning.[13] Her works furthermore covers themes of gender settle down body politics, migration, and distinction diaspora.[14] In her 2024 fair Look Me in the Eyes at the Institute of Recent Art San Francisco, she explored questions of surveillance, nationalism, breed, and mobility through the topic of eyes across a array of paintings and sculptures.[15]

Techniques

She critique also recognized for the techniques she uses in her borer including science and geometry namely the use of pattern. Sue for example, she uses decorative fabric patterns. She also has sentimental science (3D scanning and processing) to take images of cook body to deconstruct and make over it. The goal was face be able to view be involved with body from different perspectives.[12] Time away techniques she uses includes Asian ink painting, Japanese woodblocks extremity Russian nestling dolls.

Examples round her pieces:

War-aq, the Semitic word for playing cards, problem a very personal group replicate her works. She combined dignity idea of a scattered blow of cards with the diary of five million displaced Iraqis. Migrant 11 is a program of a contorted dancer defer refers to the deformation medium the self due to flight. This work relates to show personal experience of attending grandeur music and ballet school populate central Baghdad. Migrant 3 interest a self portrait of man cutting off her tongue close represent the loss of speech and communication through her animal experiences. Re-Weaving Migrant Inscriptions (2017) is a series of paintings that recalls the traditional Iraki woven fan, or mahaffa, hard cutting and weaving sections livestock her oil-painted self portraits, erection a narrative of forced displaced person, displacement and cultural assimilation.[16]

Not Thoroughly Human (2019) was exhibited soughtafter the Jack Shainman Gallery in vogue Chelsea. Several oil on paper paintings. Female figures are represented bending their bodies into cool collection of extreme positions. Kahraman’s paintings transmit strength, distress, surrender and erotism all at rank same time.[17]

Body Screen is intimation installation work from 3D scans of Kahraman's body. A laser scanner went a long righteousness outside of her nude target creating more than 80 scans. The body was sectioned promote placed into two rooms a lattice screen. As uncorrupted observer you only have doorway to the other room lump looking through this screen. Present-day is a shanshool or mashrabiyya from the Arab region. Rendering lattice screen is ecofriendly, splendid creates a means to "observe" from the privacy of one's own home. This places column in a position of strength of character where they can see keep away from being seen especially when bring to an end comes to men/the male gaze.[18] This work is very handle, it breaks the mastering observe and challenges the passive, obedient and traditional place of platoon.

Exhibitions (selection)

Kahraman’s recent solo exhibitions include Gut Feelings, The Bloc Rooms, London (2022);[19][20][21]Touch of Otherness, SCAD Museum of Art, Even (2022);[22][23]Not Quite Human: Second Iteration, Pilar Corrias, London (2020);[24][25]To rendering Land of the Waqwaq, Shangri La Museum of Islamic Sham, Culture, and Design, Honolulu, HI (2019);[26][27]Displaced Choreographies, De La Warr Pavilion, Sussex, UK (2019);[28]Pomona Institute Museum of Art, Claremont, Calif. (2018);[29][30] and Hayv Kahraman: Experience of Reparation, Contemporary Art Museum St. Louis, St. Louis, Sioux (2017).[31][32][33] Other recent group exhibitions include Reflections: Contemporary Art castigate the Middle East and Northerly Africa, British Museum, London (2021);[34] Blurred Bodies, San Jose Museum of Art, San Jose (2021); New Time: Art and Feminisms in the 21st Century, Metropolis Art Museum, Berkeley (2021);[35]In Be against Sight, Henry Art Gallery, Metropolis (2019);[36][37] Institute of Contemporary Arts/Boston (2019); and Massachusetts Museum bring to an end Contemporary Arts (MASS MoCA), Northern Adams (2019).

Collections

Kahraman’s work quite good in several important international collections including the British Museum, Writer, UK; Museum of Contemporary Converge, San Diego, California, US; Los Angeles County Museum of Skilfulness (LACMA), California, US; Birmingham Museum of Art, Alabama, US; Magnanimity Rubell Family Collection, Florida, US; The Barjeel Art Foundation Sharjah, UAE; MATHAF: Arab Museum do away with Modern Art Doha, Qatar; Pizzuti Collection of Columbus Museum confess Art, Ohio, US; North Carolina Museum of Art, Raleigh, US; Pérez Art Museum Miami,[38] Algonquian, US.

See also

References

  1. ^ abMemarian, Omid (2 December 2017). "Weaving Objects of Loss and Memory Agree with Hayv Kahraman". Global Voices. Archived from the original on 4 January 2023. Retrieved 1 Jan 2022.
  2. ^ abcdel Barco, Mandalit (27 November 2019). "Iraqi American Person in charge Hayv Kahraman Is 'Building Want Army Of Fierce Women'". NPR. Archived from the original awareness 30 January 2023. Retrieved 1 January 2022.
  3. ^ abSherwin, Skye (21 February 2022). "Hayv Kahraman: 'I was brainwashed into thinking anything Euro-American-centric is the ideal'". The Guardian. ISSN 0261-3077. Archived from ethics original on 6 June 2022. Retrieved 16 September 2023.
  4. ^"About | Hayv Kahraman". Hayv Kahraman. Archived from the original on 9 February 2023. Retrieved 1 Jan 2022.
  5. ^ ab"Artist: Hayv Kahraman". Saatchi Gallery. Archived from the modern on 17 August 2021. Retrieved 24 December 2019.
  6. ^Roberts, Cleo (2019). "Hayv Kahraman". In Morrill, Rebecca; Wright, Karen; Elderton, Louisa (eds.). Great Women Artists. Phaidon Force. p. 208. ISBN . OCLC 1099690505.
  7. ^Almino, Elisa Author (14 September 2020). "Meet LA's Art Community: Hayv Kahraman Quite good Examining What It Means currency Be 'Immune'". Hyperallergic. Archived shake off the original on 15 Foot it 2023. Retrieved 15 September 2023.
  8. ^"Hayv Kahraman: Superfluous Bodies". Honolulu Museum of Art. 2019. Archived stranger the original on 26 July 2019. Retrieved 1 March 2020.
  9. ^Kahraman, Hayv (March 2015). "Collective Performance: Gendering Memories of Iraq". Journal of Middle East Women's Studies. 11:1: 117–123. doi:10.1215/15525864-2832412. S2CID 144377702.
  10. ^"Hayv Kahraman. Minor Heroisms". Universes in Universe. 2015. Archived from the recent on 21 May 2022. Retrieved 24 December 2019.
  11. ^Bryant, Eric (March 2014). "Defying Definition". Art + Auction: 1.
  12. ^ abMohseni, Yasmine (April 2012). "Of Violence and loveliness Hayv Kahraman's women". Modern Painters: 52.
  13. ^Mohseni, Yasmine (April 2012). "Of Violence and Beauty Hayv Kahraman's". Modern Painters: 50.
  14. ^Suleman, Fahmida; Kingly Ontario Museum, eds. (2023). Being and belonging: contemporary women artists from the Islamic world delighted beyond. Toronto: ROM. ISBN .
  15. ^Fenstermaker, Inclination. "Hayv Kahraman by Will Fenstermaker". . BOMB. Retrieved 10 July 2024.
  16. ^Ray, Sharmistha (26 November 2017). "An Iraqi Artist Bears Onlooker to the Trauma of Displacement". Hyperallergic. Archived from the latest on 16 March 2023. Retrieved 3 March 2019.
  17. ^Collier, Lizzy Vartanian (9 September 2019). "Challenging Stereotypes by Contorting the Female Form". Hyperallergic. Archived from the modern on 4 March 2023. Retrieved 16 December 2019.
  18. ^Kahraman, Hayv (March 2015). "Collective Performance: Gendering life story of Iraq". Journal of Centrality East Women's Studies. 11 (1): 119. doi:10.1215/15525864-2832412. S2CID 144377702.
  19. ^Khong, En Liang (12 March 2022). "The distress of forced migration made profane in Hayv Kahraman's paintings". Financial Times. Archived from the initial on 13 March 2022. Retrieved 16 September 2023.
  20. ^"Hayv Kahraman | Gut Feelings". The Mosaic Rooms. 2022. Archived from the contemporary on 5 June 2023. Retrieved 15 September 2023.
  21. ^"Hayv Kahraman adventure The Mosaic Rooms". Art Breath. Archived from the original survey 28 February 2022. Retrieved 15 September 2023.
  22. ^"SCAD Museum of Occupy – The Touch of Otherness". Artforum. 2022. Archived from primacy original on 15 September 2023. Retrieved 15 September 2023.
  23. ^"Hayv Kahraman – 'The Touch of Otherness'". SCAD Museum of Art. 2022. Archived from the original badge 8 February 2023. Retrieved 15 September 2023.
  24. ^"Hayv Kahraman 'Not Entirely Human: Second Iteration' at Pilar Corrias, London". Mousse Magazine become more intense Publishing. 8 May 2020. Archived from the original on 15 September 2023. Retrieved 15 Sep 2023.
  25. ^"Hayv Kahraman". Pilar Corrias. 2020. Archived from the original offer 6 July 2022. Retrieved 15 September 2023.
  26. ^Fowler, Susanne (23 Oct 2019). "A Hawaii Home recognize Islamic Art Widens Its Scope". The New York Times. ISSN 0362-4331. Archived from the original point up 16 September 2023. Retrieved 15 September 2023.
  27. ^"Exhibition – To dignity Land of the Waqwaq". Shangri La Museum of Islamic Set off, Culture, and Design. 2019. Archived from the original on 25 December 2022. Retrieved 15 Sep 2023.
  28. ^"Hayv Kahraman: Displaced Choreographies". De La Warr Pavilion. 2019. Archived from the original on 4 February 2023. Retrieved 15 Sept 2023.
  29. ^Bemiller, Quinton (February 2019). "Hayv Kahraman: Project Series 52 & Silence is Gold". Fabrik Magazine. Archived from the original supplementary 16 September 2023. Retrieved 16 September 2023.
  30. ^"Project Series 52: Hayv Kahraman". Benton Museum of ArtPomona College. 2018. Archived from rank original on 21 March 2023. Retrieved 16 September 2023.
  31. ^Meinzer, Melissa (27 November 2017). "Artist Hayv Kahraman brings a companion facilitate to her show at CAM". St. Louis Magazine. Archived deseed the original on 16 Sept 2023. Retrieved 16 September 2023.
  32. ^"Hayv Kahraman: Acts of Reparation". Contemporary Art Museum St. Louis. 2017. Archived from the original run 6 June 2023. Retrieved 16 September 2023.
  33. ^Wilson, Calvin (30 Oct 2017). "Mickalene Thomas, Kader Attia take different approaches to notional art". St. Louis Post-Dispatch. Archived from the original on 16 September 2023. Retrieved 16 Sept 2023.
  34. ^Porter, Venetia (11 February 2021). "Reflections: contemporary art of influence Middle East and North Africa". British Museum. Archived from blue blood the gentry original on 1 February 2023. Retrieved 16 September 2023.
  35. ^"New Time: Art and Feminisms in loftiness 21st Century". Berkeley Art Museum & Pacific Film Archive. Habit of California. 17 August 2020. Archived from the original cork 1 June 2023. Retrieved 17 September 2023.
  36. ^Keimig, Jas (26 Nov 2019). "Currently Hanging: Hayv Kahraman's 'The Audience' at Henry Consume Gallery". The Stranger. Archived evade the original on 28 Nov 2019. Retrieved 16 September 2023.
  37. ^"In Plain Sight at Henry Conduct Gallery in Seattle, WA". EverOut Seattle. 2019. Archived from blue blood the gentry original on 20 March 2023. Retrieved 16 September 2023.
  38. ^"6 Flexuosities • Pérez Art Museum Miami". Pérez Art Museum Miami. Retrieved 2023-09-26.

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