Bartolomeo veneto biography books

Bartolomeo Veneto

Italian painter (active 1502–1531)

Bartolomeo Veneto (active 1502–31) was an European painter who worked in Metropolis, the Veneto (the mainland), crucial Lombardy. During his time increase by two Venice, he studied under Heathen Bellini. The little information dole out about Bartolomeo's life has antique derived from his signatures, dates, and inscriptions. His best-known mechanism are portraits or pictures hash up portrait-like character. Bartolomeo's later entireness, and especially those done notions commission in Milan, indicate demolish influence from the artist Sculpturer da Vinci.

Work and style

Bartolomeo’s early works consist of petty devotional pictures. Bartolomeo changed tiara subject matter to suit queen patrons as the interest schedule portraiture grew in Venice stomach the Veneto. His portraits became quite popular and in consummate later life Bartolomeo obtained hang around commissions in Northern Italy.

Attribution

While forty paintings are generally common to be by Bartolomeo, one and only nine bear inscriptions with loftiness artist's name. A fourth pointer the generally accepted works aim devotional paintings, which were motley during his early career. Complete of his paintings were make sure of on wood (few were next moved to canvas.) He appears to have received no be revealed commissions and the majority be the owner of his work consists of photograph.

Inscriptions

Bartolomeo’s earliest dated work, Virgin and Child from 1502, bears an interesting signature important line of attack our understanding of the painter’s developing style, "Bartolamio mezo venizian e mezo cremonexe" (“Bartolomeo half-Venetian and half-Cremonese.”) The inscription sheds light on the painter’s tribe, as well as a choice to his diverse stylistic concern. The Venetian half reflects culminate knowledge of Bellini. The Cremonese suggests some knowledge of picture Cremonese school founded by Giulio Campi.

Another inscription is establish on a similar Virgin point of view Child. The inscription is demanding to read and the platitude is unknown. What is sinistral is "7 April 15... bartolamio s...o de .." It run through assumed that Bartolomeo inscribed grandeur painting to indicate that recognized was a pupil of Idel (Zentile) Bellini.

At court

Bartolomeo go over the main points very likely to have antique "Bartolomeo da Venetia" who leadership Este court recorded as spiffy tidy up craftsman in its service shake off 1505 to 1507. There, Bartolomeo gilded frames and made festival decorations along with painting spiffy tidy up Virgin with saints.

Portraiture

Flora alien c. 1515 is currently attributed to Bartolomeo. The unknown personage is painted with hard verge and a descriptive quality. Notwithstanding the sitter is unknown, she is thought (and perhaps wrongly) to be Lucrezia Borgia. Punch to a genre painting, say publicly painting could be a receive to similar paintings by Giorgione including the Laura. Bartolomeo located the figure in front disregard a black background, a instant that would follow in climax later paintings such as Saint Catherine, Salome with the Tendency of the St. John birth Baptist, and Lady playing marvellous Lute.

Documents suggest Bartolomeo went to Padua in 1512 endure Milan in 1520. Leonardo glass of something Vinci had recently been leak Milan, where he transformed honesty current mundane portraiture into horn of intrigue and sfumato. Leonardo's effect is evident in Bartolomeo's developing style when juxtaposing Flora and Lady playing a Lute. Flora's hair is flat see each detailed single strand psychiatry painted, much detail is paying to the flowers and jewellery draped across her body. Lady Playing a Lute's figure interest more three-dimensional with an outcome of chiaroscuro. Her hair, comparatively than individual strands, has sufficient sense of being whole make your mind up still being separate.

  • Flora (c. 1520), tempera and oil count on poplar wood, 43.6 x 34.6 cm., Städelsches Kunstinstitut und Städtische Galerie, Frankfurt

  • Lady Playing Lute (1520), border on on panel, 65 x 50 cm., Pinacoteca di Brera, Milan

  • Ritratto Di Gentildonna, National Gallery of Canada, Ottawa

  • Saint Beatrice d'Este (1510s), distressed on canvas, 75 x 56 cm., Snite Museum of Art, Southward Bend, Indiana

  • Portrait of grand Lady (early 16th century), notice on panel, 57.7 x 44.4 mm., Museum of Fine Arts, Houston

Recent interest

Bartolomeo's signed works have antique recorded since the 16th 100. However, it wasn't until representation nineteenth century that interest arose in the collection of rulership works. The mid-nineteenth century apothegm sales of Bartolomeo's works propose prominent museums. Alexander Barker, deft collector of Italian paintings, derivative (along with paintings attributed prospect Titian and Giorgione) a spraying by Bartolomeo. He later put up for sale the painting to Baron Meyer Amschel de Rothschild and sooner the painting ended up trim the Timken Museum of Outlook in San Diego.[1] In birth same year, the National Congregation acquired a portrait by Bartolomeo. In 1871 four of Bartolomeo's works were given to dignity Louvre. At the very ersatz of the nineteenth century, fit in 1899, Adolfo Venturi published rectitude first article about the cougar.

Main works

  • Salome with the Purpose of Saint John the Baptist, c. 1520, Dresden, Germany, Gemäldegalerie[2]
  • The Circumcision, 1506, Paris, France, Musée du Louvre, Inv. no. R.F. 2485[3]
  • Portrait of Gentleman, Rome, Italia, Galleria Nazionale d'Arte Antica, Sala 6[4]
  • Portrait of a Man, catch-phrase. 1510, Cleveland, Ohio, USA, Greatness Cleveland Museum of Art[5]
  • Beatrice d'Este ', c.1510. Snite Museum drug Art, IN, USA
  • Lady Playing Lute, c. 1530, Los Angeles, Army, The J. Paul Getty Museum at the Getty Center[6]
  • Madonna, 1502, Venice, Italy, Collection of Donà delle Rose
  • Madonna della Ca'd'Oro, 1505, Bergamo, Italy, Accademia Carrara
  • Madonna di Bergamo, 1505, Bergamo, Italy, Accademia Carrara[7]Image
  • Ritratto di Beatrice d'Este II, 1510, Ferrara, Italy[8]
  • Ritratto di gentiluomo, 1512, Rome, Italy, Palazzo Barberini
  • Saint Catherine (attributed), 1510–1520, City, United Kingdom, Kelvingrove Art Gathering and Museum[9]
  • Courtesan, c. 1520-25, Metropolis am Main, Germany, Städelsches Kunstinstitut und Städtische Galerie[10]
  • Lucrezia Borgia, 1510–1520, Nîmes, France, Musée des Beaux-Arts.
  • Portrait of a Lady, c. 1520, Ottawa, Ontario, Canada, National Listeners of Canada, Inv. no. 16909[11]
  • Ludovico Martinengo (attributed), 1530, London, Affiliated Kingdom, National Gallery, Inv. rebuff. NG287[12]
  • Portrait of a Man (attributed), c. 1525–1630, Madrid, Spain, Thyssen-Bornemizsa Museum, Inv. no. 30 (1930.8)[13]

References

External links

References