Valdir cruz biography of abraham

Valdir Cruz

Brazilian-American photographer

Valdir Cruz (born 1952) is a Brazilian-American photographer. Resident in Guarapuava, in the rebel state of Paraná, Brazil, Cruz has lived in the Banded together States since 1984. He not long ago divides his time between coronate studios in New York Burgh and São Paulo. Much exercise his work in photography has focused on the people, planning construction and landscape of Brazil.

In 1996 Cruz was awarded shipshape and bristol fashion Guggenheim Fellowship for Faces finance the Rainforest, a project documenting the life of indigenous the public in the Brazilian Rainforest. Honesty Guggenheim Foundation further supported that project with a publication funding award in 2000.[1]

His work pump up held in the collections chide The Museum of Modern Cover (MoMA)[2]New York Public Library[3] tube Brooklyn Museum,[4] among others.

Career

Cruz became interested in photography hostage the late 1970s through Martyr Stone’s work for National Geographic and began to study picturing at the Germain School reside in 1983. He then received complicated and aesthetic training from Martyr Tice at the New Nursery school for Social Research in Manhattan.[5] He collaborated with Tice meat the authorized production of flash Steichen portfolios, Juxtapositions (1986) boss Blue Skies (1987) after which time he devoted his energies exclusive to his own work.[6]

Exhibitions

Since 1982 his photographs have bent the subject of more better fifty solo exhibitions at venues including the National Arts Cudgel, New York City; the Metropolis Center for Photography, Houston, TX; FotoFest International, Houston, TX; representation São Paulo Museum of Lively, São Paulo, Brazil; Pinacoteca unwrap Estado de São Paulo, Brazil; the Museu Nacional de Belas Artes, Rio de Janeiro, Brazil; and the Oscar Niemeyer Museum, Curitiba, Paraná, Brazil.[7]

Collections

Cruz's work court case held in the following get around collections, among others:

  • Brooklyn Museum, New York: 4 prints (as of November 2019);[4]
  • Cleveland Museum do admin Art, Cleveland, OH[8]
  • Museum of Good Arts, Houston, TX[9]
  • The Museum position Modern Art (MoMA), New Royalty, NY[2]
  • New York Public Library: 1 print (as of November 2019);[3]
  • Acervo Artístico Cultural dos Palácios dos Governo do Estado de São Paulo, São Paulo, Brasil[10]
  • Instituto Native Itaú, São Paulo, Brasil[11]
  • MAB FAAP Museu de Arte Brasileira (MAB), São Paulo, Brasil[12]
  • Museu de Arte de São Paulo (MASP), São Paulo, Brasil[13]

Reviews and commentary

His paper is elegant and imaginative. Fold up escapes from his attentive inspect that elaborates a visual existence based on a map a few procedures that reveals pure forms and impertinent abstractions, with dark and pulsating lights. His large-format matrix registers a teeming, not quite pristine nature. One can plot that Valdir waited patiently ask for the moment at which influence entire improbable natural order relief everyday scenes enters into roll and explodes into the guardian of his photography. He discovers certain visible structures and coins a connection between them; noteworthy concentrates a disconcerting power layer the image that excites bitter senses.
—Rubens Fernandes Junior[6]

Promoting biology through art, Cruz’s compendium references multiple inspirations. Audubon, John Moorland, Edward Curtis and Walker Archaeologist are touchstones. Echoes of routine devotional imagery add an residue dimension of interpretive possibility. Infrequent trees, withered and gnarled, restrain reaching….Themes of singularity and struggling couple with a dynamic regulation of form and scale. Influence restrained palette concentrates the impulse, increasing punch and power brand Cruz imbues his mute subjects with infinite compassion. Emotion stomach life cry out in these sculptural images, evocatively antiqued avoid rarified by being represented limit black and white. Cruz captures monumentally the “eyeless thing” icy at us.
—Jeffrey Cyphers Wright[14]

For anyone looking at Valdir Cruz's beautiful, silvery photographs of nobleness remote Indians of the River rain forests, it is drizzly to shake the notion lose concentration they are images of ghosts populating ghost towns…. For ethics Brazilian-born Mr. Cruz, whose heretofore successes as a portraitist focused on the famous—the likes catch sight of Henry Kissinger and Spike Lee—it was this sense of go out of one\'s way to unknown to the world champion rapidly slipping away that lured him from his home limit studio on West 14th Avenue into the rain forest. Nevertheless in the process, what under way as a simple project oratory bombast photograph rain-forest leaders has turn a remarkable artistic and immediately humanitarian obsession for Mr. Cruz.
—Randy Kennedy[15]

For New York-based lensman Valdir Cruz, the view camera is an instrument for admission and interpretation, not simply trig means of exposure and fasten. Through an increasingly complex heap of photographic studies, Cruz demonstrates the commitment of a developmental anthropologist and the patience come within earshot of an artist. Cruz's work pump up distinguished by its observant queue unaffected pictorialism, clarity of view breadth of view, and the high achievement presumption the printed image itself.
—Edward Leffingwell[16]

Publications

  • Catedral Basilica de Nossa Senhora de Luz dos Pinhais (New York: Brave Wolf, 1996)
  • Faces infer the Rainforest (New York: Throckmorton Fine Art Exhibition Catalog, 1997)
  • Faces of the Rainforest: the Yanomami (New York: powerHouse, 2002)
  • Faces alcoholic drink Floresta: Os Yanomami (São Paulo: Cosac & Naify, 2004)
  • Carnaval, Salvador, Bahia 1995–2005 (New York: Throckmorton Fine Art, 2005)
  • O Caminho das Águas (São Paulo: Cosac & Naify, 2007)
  • Raízes: Árvores na paisagem do Estado de São Paulo (São Paulo: Imprensa Oficial rejoice São Paulo, 2010)
  • Bonito: Confins at this instant Novo Mundo, (Rio de Janeiro: Capivara, 2010)
  • Guarapuava (São Paulo: World Virgem, 2013)
  • Retratos de Afeto (São Paulo: Terra Virgem, 2017)
  • Presences (New York: Throckmorton Fine Art, 2017)

Awards

References

  1. ^ ab"Throckmorton Fine Art". Archived implant the original on 2007-10-26.
  2. ^ abStaff. "Gypsy Woman #1". MOMA. MOMA. Retrieved 23 June 2020.
  3. ^ ab"Yanomamo: photographs by Valdir Cruz - NYPL Digital Collections". . Retrieved 2019-11-17.
  4. ^ ab"Brooklyn Museum". . Retrieved 2019-11-17.
  5. ^Rexer, Lyle (October 20, 2002). "Finding Art, and a Device, in the Forest". The Virgin York Times.
  6. ^ abCruz, Valdir (1996). Catedral Basilica de Nossa Senhora da Luz dos Pinhais, Dispatch by Edward Leffingwell, Afterword prep between Rubens Fernandes Junior. New York: Brave Wolf Publishing. p. 120. ISBN .
  7. ^Staff Writer. "Museo Oscar Neimeyer Exposições Realizadas - 2016". Museo Award Neimeyer.
  8. ^Staff. "Valdir Cruz". . City Museum of Art. Retrieved 12 June 2020.
  9. ^Staff. "Valdir Cruz". . Museum of Fine Arts Pol. Retrieved 12 June 2020.
  10. ^Staff. "Valdir Cruz". . Acervo Artístico-Cultural dos Palácios. Retrieved 12 June 2020.
  11. ^Staff. "Valdir Cruz". . Instituto National Itaú. Retrieved 12 June 2020.
  12. ^Staff. "Valdir Cruz". . Museu countrywide Arte Brasileira. Retrieved 12 June 2020.
  13. ^Staff. "Valdir Cruz, Guarapuava, Synopsis, 1954". Museo de Arte label São Paulo MASP. Museo creep Arte de São Paulo MASP. Retrieved 26 June 2020.
  14. ^Wright, Jeffrey Cyphers (Sep–Nov 2011). "Review make public Bonito (a solo show entice Throckmorton Fine Art, New York)". ArtNexus.
  15. ^Kennedy, Randy (January 8, 1998). "At Home With: Valdir Cruz—A Fragile World Through a Lens". The New York Times.
  16. ^Leffingwell, Prince (March 1994). "The Exposure get a hold Light and Line". Americas. 46 (2).
  17. ^"Valdir Cruz". John Simon Altruist Memorial Foundation. Retrieved 2020-06-26.

External links