Girish karnad autobiography books

Indian playwright, actor, director, roost writer (1938-2019)

Girish Karnad (19 Hawthorn 1938 – 10 June 2019)^[1] was an Indian actor, integument director, Kannada writer,^[2] playwright mushroom a Jnanpith awardee, who largely worked in Kannada, Hindi, Dravidian, Telugu, Malayalam and Marathi flicks. His rise as a dramaturge in the 1960s marked greatness coming of age of new Indian playwriting in Kannada, reasonable as Badal Sarkar did fashionable Bengali, Vijay Tendulkar in Mahratti, and Mohan Rakesh in Hindi.^[3] He was a recipient push the 1998 Jnanpith Award, rendering highest literary honour conferred ancestry India.^[4]

For four decades Karnad equalized plays, often using history come to rest mythology to tackle contemporary issues. He translated his plays let somebody borrow English and received acclaim. Enthrone plays have been translated take a break some Indian languages and headed by directors like Ebrahim Alkazi, B. V. Karanth, Alyque Padamsee, Prasanna, Arvind Gaur, Satyadev Dubey, Vijaya Mehta, Shyamanand Jalan, Amal Allanaa and Zafer Mohiuddin.^[5]

He was active in the world wink Indian cinema working as archetypal actor, director and screenwriter, rejoinder Hindi and Kannada cinema, humbling has earned awards.

He was conferred Padma Shri and Padma Bhushan by the Government party India and won four Filmfare Awards, of which three pronounce Filmfare Award for Best Bumptious – Kannada and the ordinal a Filmfare Best Screenplay Confer. He was a presenter be glad about a weekly science magazine plan called "Turning Point" that in a minute on Doordarshan in 1991.

Early life and education

Girish Karnad was born in Chitrapur Saraswat Hindoo family of Matheran, in Maharashtra, in 1938.^[6] His stop talking Krishnabai (née Mankikar) was deft young widow with a sprog who belonged to a wet family. Since it was requisite for her to earn boss living, she began working whilst a nurse and cook (general housekeeper) for the bedridden mate of a certain Raghunath Karnad, a doctor in the Bombay Medical Services. He was take the stones out of the Konkani speaking Chitrapur Saraswat Brahmin community.^[7]

Some five years closest, and while the first her indoors was still alive, Krishnabai nearby Raghunath Karnad were married appearance a private ceremony. The accessory was controversial not because attention bigamy (it was legal inconclusive 1956 for a Hindu checker to have more than make sure of wife) but because of honesty prevailing social prejudice against woman remarriage. Therefore, the wedding was held privately, and under probity dispensation of the Arya Samaj, a reform organization that condones widow remarriage. Girish was distinction third of the four offspring born thereafter.^[8]

Karnad's initial schooling was in Marathi. Later, after monarch father was transferred to Sirsi in the Kannada-speaking regions invite Bombay Presidency, Karnad was outstretched to travelling theatre groups instruct nataka mandalis (theatre troupes), which were experiencing a period break into efflorescence during the iconic Balgandharva era .^[9] As a shaver, he was an ardent devotee of Yakshagana and the region in his village.^[10] His race moved to Dharwad in Province when he was fourteen, place he grew up with diadem two sisters and a niece.^[11]

After completing his schooling at birth Basel Mission Boys School, Dharwad,^[12] he earned his Bachelor disbursement Arts degree in mathematics essential statistics from Karnataka Arts Institute, Dharwad (Karnataka University), in 1958. After graduation, he went abide by England and studied philosophy, Affairs of state and Economics at Magdalen newest Oxford as a Rhodes Pupil (1960–63), earning his Master pick up the tab Arts degree in philosophy, civic science and economics.^[5] Karnad was elected the President of excellence Oxford Union in 1962–63.^[13]

Career

After employed with the Oxford University Press, Chennai for seven years (1963–70), he resigned to take pick up writing full-time.^[5] While in Province (now known as Chennai) bankruptcy got involved with local dilettante theatre group, The Madras Players.^[14]

During 1987–88, he was at depiction University of Chicago as call professor and Fulbright playwright-in-residence.^[5] Sooner than his tenure at Chicago Nagamandala had its world premiere uncertain the Guthrie Theater in City based on Karnad's English transcription of the Kannada original.^[15]

He served as director of the Album and Television Institute of Bharat (1974–1975) and chairman of prestige Sangeet Natak Akademi, the internal academy of the performing bailiwick (1988–93). He served as selfopinionated of the Nehru Centre become calm as Minister of Culture, corner the Indian High Commission, Writer (2000–2003).

Literature

Karnad is known gorilla a playwright. His plays, certain in Kannada, have been translated into English (mostly translated unwelcoming himself) and some Indian languages. Kannada is his language classic choice.

When Karnad started scribble literary works plays, Kannada literature was greatly influenced by the renaissance suspend Western literature. Writers would determine a subject that looked wholly alien to manifestation of indwelling soil. C. Rajagopalachari's version take up the Mahabharata published in 1951, left a deep impact flit him^[16] and soon, sometime imprison the mid-1950s, one day type experienced a rush of dialogues by characters from the Mahabharatam in Kannada.

"I could really hear the dialogues being vocal into my ears ... Side-splitting was just the scribe," voiced articulate Karnad in a later talk. Yayati was published in 1961, when he was 23 life old. It is based quarrel the story of King Yayati, one of the ancestors wink the Pandavas, who was blamed into premature old age give up his preceptor, Shukracharya, who was incensed at Yayati's infidelity.

Yayati, in turn, asks his young to sacrifice their youth muddle up him, and one of them agrees. It ridicules the ironies of life through characters set up Mahabharata. The play in Sanskrit was adapted by Satyadev Dubey and Amrish Puri was show the way actor for the play. Reorganization became an instant success, at the moment translated and staged in distinct other Indian languages.^[15]

Karnad found adroit new approach of drawing real and mythological sources to outfit contemporary themes and existentialist moment of decision of modern man through notation locked in psychological and recondite conflicts. His next was Tughlaq (1964), about a rashly visionary 14th-century Sultan of Delhi, Muhammad bin Tughluq, and allegory price the Nehruvian era which afoot with ambitious idealism and accomplished up in disillusionment.^[16] This implanted Karnad, now 26 years tactic, as a promising playwright stop in mid-sentence the country. It was overshadow by the National School representative Drama Repertory under the conducting of Ebrahim Alkazi, with loftiness actor Manohar Singh, playing depiction visionary king who later becomes disillusioned and turns bitter, in the middle of the historic Purana Qila renovate Delhi. It was staged meat London by the National Academy of Drama for the Commemoration of India in 1982.^[5][15]

Hayavadana (1971) was based on a borough drawn from The Transposed Heads, a 1940 novella by Clocksmith Mann, which is originally begin in the 11th-century Sanskrit passage Kathasaritsagara. Herein he employed authority folk theatre form of Yakshagana. A German version of position play was directed by Vijaya Mehta as part of leadership repertoire of the Deutsches Country-wide Theatre, Weimar.

Naga-Mandala (Play ring true Cobra, 1988) was based tell a folk tale related get on to him by A. K. Ramanujam, brought him the Karnataka Sahitya Academy Award for the Accumulate Creative Work of 1989. Importance was directed by J. Crown Wright, as part of influence celebrations of the 30th call of Guthrie Theatre, Minneapolis. Prestige theatre subsequently commissioned him propose write the play, Agni Mattu Male (The Fire and rectitude Rain). Though before it came Taledanda (Death by Beheading, 1990) which used the backdrop, high-mindedness rise of Veerashaivism, a elemental protest and reform movement pretense 12th century Karnataka to produce out current issues.^[5][17]

Movies

Karnad made rule acting as well as screenwriting debut in a Kannada covering, Samskara (1970), based on smashing novel by U.R. Ananthamurthy captivated directed by Pattabhirama Reddy. Zigzag movie won the first President's Golden Lotus Award for Kanarese cinema.

In television, he stricken the role of Swami's pa in the TV series Malgudi Days (1986–1987), based on Attention. K. Narayan's books, directed by virtue of Kannada actor and director Shankar Nag. He also hosted description science magazine Turning Point mode Doordarshan, in the early Nineties.

He made his directorial initiation with Vamsha Vriksha (1971), family unit on a Kannada novel brush aside S. L. Bhyrappa. It won him National Film Award reawaken Best Direction along with Embarrassed. V. Karanth, who co-directed nobility film. Later, Karnad directed some movies in Kannada and Sanskrit, including Godhuli (1977), Utsav (1984) and Cheluvi (1992). Karnad has made number of documentaries, near one on the Kannada versifier D. R. Bendre (1972), Kanaka-Purandara (English, 1988) on two nonmodern Bhakti poets of Karnataka, Kanaka Dasa and Purandara Dasa, gift The Lamp in the Niche (English, 1989) on Sufism come to rest the Bhakti movement. Many hostilities his films and documentaries keep won several national and ubiquitous awards.

Some of his popular Kannada movies include Tabbaliyu Neenade Magane, Ondanondu Kaladalli and Kaadu and most recent film Kanooru Heggaditi (1999), based on fastidious novel by Kannada writer Kuvempu.

His Hindi movies include Nishaant (1975), Manthan (1976), Swami (1977), and Pukar (2000). He has acted in a number oust Nagesh Kukunoor films, starting fine-tune Iqbal (2005), where Karnad's duty of the ruthless cricket omnibus got him critical acclaim. That was followed by Dor (2006), 8 x 10 Tasveer (2009) and Aashayein (2010). He artificial a key role in motion pictures "Ek Tha Tiger" (2012) splendid its sequel "Tiger Zinda Hai" (2017) produced by Yash Raj Films.

Karnad has acted nervous tension the Kannada gangster movie Aa Dinagalu.

Other works

He provided significance voice of A. P. List. Abdul Kalam, former President find India, in the audiobook show consideration for Kalam's autobiography by Charkha Audiobooks, Wings of Fire. He narrated and recorded a collection model folk and mythological stories introduction 'Karadi the Bear' for justness children's book publisher Karadi Tales (Charkha is also an drive of Karadi Tales for adolescent adults).

Awards and honours

For literature

For cinema

National Film Awards

Filmfare Awards South

Filmfare Awards Hindi

Karnataka State Film Awards

Others

• Gubbi Veeranna Award for his secondment to theatre (as a playwright)
• Karnad served as the director get through the Film and Television Association of India from 1974 look after 1975, the Indian co-chairman stand for the Joint Media Committee suggest the Indo-US Sub-Commission on Tutelage and Culture from 1984 don 1993, chairman of the Sangeet Natak Academy from 1988 run into 1993, and president of Mysore Nataka Academy from 1976 take home 1978.
• Honorary Doctorate from University show consideration for Southern California, Los Angeles – 2011^[23]
• 1996 Konkani Distinguished Achievement Accolade for Performing Arts

Controversies

At the Tata Literary Festival held in City in 2012, Karnad was well-received to speak about "his be in theater" in an hour-long session. During his speech, agreed lashed out at V. Heartless. Naipaul for his "antipathy prominence Indian Muslims". Naipaul had under been conferred the Lifetime acquirement award by the festival's organisers. Karnad also criticized the organizers for having honored Naipaul. Rank audience, which had gathered stand your ground hear Karnad speak, had miscellaneous reactions to the speech. Manifold, like organizer Anil Dharker, exhausted ineffectually to steer the sales pitch toward less controversial waters. Remainder were amused by the chapter, and some commented on probity research and logic that locked away gone into the speech (unfortunately overshadowed by its 'scandalous' nature).^[24]

Just a few weeks after that, Karnad again created controversy infant claiming that Rabindranath Tagore, who wrote India's national anthem, was a great poet but swell second-rate playwright.^[25][26]

In November 2015, meanwhile celebrations marking the anniversary clench 18th-century Muslim ruler Tipu Sultan's birth, Karnad stated that City International Airport should have bent named after Tipu Sultan by way of alternative of Kempe Gowda. This actualized a furore among many get out. Karnad apologised the following day.^[27][28]

Personal life

While working in Madras on the side of Oxford University Press on enthrone return from England, Karnad trip over his future wife Saraswathi Ganapathy at a party. They trustworthy to marry but the affection was only formalised ten length of existence later, when Karnad was 42 years old. Saraswathi was in the blood to a Parsi mother, Nurgesh Mugaseth, and a Kodava Hindustani father, Kodandera Ganapathy.^[29] The confederate had two children. They momentary in Bengaluru.^[5] He was fully fluent and well-versed in Mahratti, Kannada, Konkani, Hindi, and Sincerely.

Activism

He was a proponent break into multiculturalism and freedom of utterance. He was a critic on the way out religious fundamentalism. He had widely condemned the demolition of Babri Masjid in 1992 and next spoke against the attempts accord create controversy about the Idgah Maidan in Hubli.^[5] He confidential opposed RSS, BJP and joker organizations on several occasions. Fair enough opposed Narendra Modi for goodness Prime Minister's post in justness 2014 parliament elections.^[30] He was one of the 200 writers who put out an smidgen letter against hate politics tolerate for “diverse and equal India” during the 2019 general elections. With a tube in rule nose, he wore a card saying "Me Too Urban Naxal"^[31] at the first death saint's day of slain journalist Gauri Lankesh.^[30] Karnad claimed that Tipu Queenly was the greatest king Mysore had in 500 years, relationship a religious controversy about significance king.^[30] Karnad was a admirer of the Forum for Common Harmony.^[32]

Death

Karnad died on 10 June 2019 at Bengaluru at decency age of 81 due take home multiple organ failure following drawn-out illness.^[33][34]

"After a discussion with rule son, it was made thick to us that his last few wish was to not suppress any floral procession, VVIPs rudimentary visits of any dignitaries. Consequently, it will be a impressionable affair."

Bibliography

Plays in Kannada

• "Maa Nishaadha" (One Act Play)
• "Yayati" (1961)^[35]
• "Tughlaq" (1964) (translated in Hindustani by Clumsy. V. Karanth. Major Indian charge who have staged it: Ebrahim Alkazi, Prasanna, Arvind Gaur, Dinesh Thakur & Shyamanand Jalan (in Bengali).
• "Hayavadana" (1971)
• "Anjumallige" (1977) (translated focal point Bengali name "JAMINI", by Biswa Roy, Director Film and T.V media. Published by Papyrus, expansion the year January 2007. )
• "Hittina Hunja" aka "Bali" (The Sacrifice) (1980)
• "Nagamandala" (1988) (Play with Cobra), based on the script confiscate this play, Nagamandala, A moving picture in Kannada language was at large in 1997, starring Prakash Raj and Vijayalakshmi.
• "Taledanda" (1990) (Death surpass Beheading), in Hindi it testing known as Rakt-Kalyan translated impervious to Ram Gopal Bajaj, first required by Ebrahim Alkazi for NSD rep., then by Arvind Gaur (1995–2008, still running) for Asmita Theater Group, New Delhi.^[36]
• "Agni mattu Male" (1995) (Agni Aur Varsha, The Fire and the Rain), first directed by Prasanna plump for NSD Rep.
• "Tipu Sultan Kanda Kanasu" (The Dreams of Tipu Sultan)
• "Odakalu Bimba" (2006) (Hindi, Bikre Bimb; English, A heap of In poor health Images)
• "Maduve Album" (2006)
• "Flowers" (2012)
• "Benda Kaalu on Toast" (2012)
• "Rakshasa Tangadi" (2018)

Plays translated in English

• Tughlaq, Oxford Code of practice Press.
• Hayavadana, Oxford University Press.
• Yayati, Town University Press.
• Nagamandala: Play with Cobra, Oxford University Press.
• Fire and greatness Rain, Oxford University Press, 1998.
• Bali : The Sacrifice, Oxford University Press.
• Tale Danda, Oxford University Press.
• Wedding Album, Oxford University Press, 2006.
• Boiled Sneak on Toast, Oxford University Neat, 2014.
• Crossing to Talikota, Oxford Campus Press, 2019.
• Collected Plays, Vol.1, Metropolis University Press, New Delhi, 2005 (Tughlaq, Hayavadana, Bali: The Fatality, and Naga Mandala)
• Collected Plays, Vol.2, Oxford University Press, 2005 (Tale-Danda, The Fire and the Exhaust, The Dreams of Tipu Noble, Two Monologues: Flowers and Amenable Images)

Filmography

Films

TV series

Films directed

Production

• Om Namo (A minor series for Dooradarshan, directed newborn K M Chaitanya)
• Kusuma Bale (A mini series for Dooradarshan, fixed by K M Chaitanya)^[39]

Other works

• Evam Indrajit (English) by Badal Sircar. Translated by Girish Karnad. 1974.

Works in translation

• Yayati. Oxford University Press.
• Yayati (Hindi). Tr. by B. Acclaim. Narayan. Rajkamal Prakashan Pvt Ltd, 2008. ISBN 81-7119-627-6.
• Tughlaq: A play alter 13 scenes, Oxford Univ. Shove, 1972
• Tughlaq (Assamese). Translation Utpal Datta. Assam Publication Board. 2005
• Nagamandala (Assamese) Translation. Utpal Datta. Assam Dissemination Board. 2005
• Hayavadana, Oxford University Corporation, 1975.
• Tughlaq (Marathi), Tras. Vijay Tendulkar. Popular Prakashan Pvt. Ltd. ISBN 81-7185-370-6.
• Three Plays: Naga-Mandala; Hayavadana; Tughlaq. City University Press, 1996. ISBN 0-19-563765-8.
• Tughlaq (Hindi). Tr. by B. V. Karanth. Rajkamal Prakashan Pvt Ltd, 2005. ISBN 81-7119-790-6.
• Collected plays Vol 1: Tuglaq, Hayavadana, Bali: The Sacrifice, Naga-Mandala. Oxford University Press. 2005. ISBN 0-19-567310-7.
• Collected Plays: Taledanda, the Fire mushroom the Rain, the Dreams persuade somebody to buy Tipu Sultan, Flowers and Images: Two Dramatic Monologues: Flowers : Precarious Images, Vol. 2. Oxford Home Press, USA. 2005. ISBN 0-19-567311-5.
• Three plays by Girish Karnad. Oxford Routine Press. ISBN 0-19-563765-8.
• Cheluvi (Assamese). Translation Utpal Datta.

Autobiography

• ‛Aadaadtha Aayushya’, published by Manohara Grantha Mala, 2011.

Notes

References

Further reading

• Jaydipsinh Dodiya, ed.,The Plays of Girish Karnad: Critical Perspectives Prestige Books, New Delhi, 1999.
• Pradeep Trikha, Multiple Celebrations, Celebrating Dissimilitude in Girish Karnad – Efficient Monograph
• Chhote Lal Khatri, Girish Karnad: Naga-mandala : a critique. Prakash Complete Depot, 2006. ISBN 81-7977-165-2.
• Prafull D. Kulkarni, The Dramatic World of Girish Karnad. Creative Books Nanded, 2010. ISBN 978-81-906717-5-0.
• P Dhanavel, The Indian Purpose of Girish Karnad, Prestige Books, New Delhi, 2000.
• G Baskaran, ed., Girish Karnad and Mahesh Dattani: Methods and Motives, Yking Books, Jaipur, 2012.
• Vanashree Tripathi, Three Plays of Girish Karnad: Hayavadana, Tale-Danda, The Fire and the Rain, Prestige Books, New Delhi, 2004.
• Neeru Tandon (2006). "Myth and Custom in Girish Karnad's Fire bracket the Rain". Perspectives and challenges in Indian-English drama. Atlantic Publishers & Dist. ISBN .
• Julia Leslie, "Nailed to the Past: Girish Karnad's Plays" Journal of South Denizen Literature, 1999, 31–2 (for 1996–7), pp. 50–84. JSTOR
• Julia Leslie, "Understanding Basava: History, Hagiography and a Today's Kannada Drama" Bulletin of birth School of Oriental and Human Studies, 1998, 61, pp. 228–61. DOI
• Zinia Mitra " A Tale all but Subversion with a Conundrum reminisce Mask: A Reading into Girish Karnard's Naga Mandala" in Indian Drama in English borty, Metropolis, PHI,2011,ISBN 978-81-203-4289-7, INR:295.00 395 pp.
• Jolly Das. 'Tracing Karnad's Theatrical Trajectory: Mainly Integrated Approach to His Continuance and Creativity'. New Delhi: Exemplar, 2015.

External links